BRAMA
Products DERIVA Generative Texture Processor Generate degraded textures and evolving sound-design accidents from any audio. All products
Latest releases
Brama Dockv0.1.7

Direct website integration and a more resilient service for checkout, licences and downloads.

 DERIVAv1.0.1

Brama Dock integration and consistent Keeper outcomes across duplicated sessions.
All updates
Experiments
METAMORFO

A generative equalisation experiment that proposes musically constrained curves and lets them mutate, drift and evolve over time.

 ZUMBIDO

A spatial-panning experiment where audio behaves like one or more living entities moving around the listener.
All experiments
All updates

ASTROFLORA — Sound as a Living World

Experiment

An instrument experiment where sound is explored as a world of galaxies, terrain and evolving organisms rather than a conventional synthesizer panel.

This is an experiment, not a confirmed product. Its name, direction and existence may change.

The question

What if building a synthesizer patch felt less like programming a signal chain and more like shaping a living world?

ASTROFLORA explores an instrument in which galaxies, terrain and organisms become a language for sound. The metaphor is functional: creatures generate material, terrain shapes its timbre and space, and the wider world holds related variations.

The direction

The experiment is divided into three scales. A galaxy offers a map of sounds and nearby variations. A planet turns broad characteristics such as brightness, depth, movement and degradation into a landscape. An ecosystem contains the individual sound-producing and texture-making organisms.

A procedural system can create new worlds from a seed, but generation is meant to remain repeatable and under the musician’s control. ASTROFLORA is not intended to change unpredictably without an explicit action.

What remains unresolved

The central challenge is making the world metaphor musically clearer than a conventional synthesizer rather than merely more decorative. The relationship between every visual element and its audible result still needs to earn its place.

The name, structure and final form of this experiment are not fixed.